Projects

Projects

FAQ

Questions & Answers

Why did the Artist follow Vivienne Dick around a construction site with a camera?

Vivienne Dick is an Irish film maker who’s works are part of IMMA’s permanent collection. The video is a subversion of roles, as the filmmaker who’s films inspired the gesture is now in front of the camera performing the gesture. In this instance Vivienne is considered a part of IMMA’s material culture, recontextualised, and ultimately re-embedded back in IMMA as the work itself. Vivienne’s films primarily explore the periphery through feminist agency.

Approximately 20 minutes, until the Artist was asked to stop filming.

As a rule of thumb, any car that suggests crossing borders illegally will be clamped immediately.

An event at the LinenHall Museum featuring readings of new work by the twenty participating writers from the Island of Many Voices programme. Jo Morrigan, one of such participants will present a poem crafted from archival material in dialogue with the baluster. The artefact extends into the LinenHall Museum, becoming mobilised through the form of poetry where it crosses institutional and geographical boundaries.

Monument maxing is a method frequently employed by the OPW in order to increase overall monumental power. The early 19th century baluster is physically collaged with a bronze age dolmen. This reconfiguration of historical landmarks merges time-lines leading to a collapse in the space-time continuum. Well done OPW!

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